The best(y) from the USSR: Zenit Helios 40-2

Helios 40-2 85 mm

Лучший объектив есть. The best vintage lens there is. Pure and simple. At least from Russia, where normally little stable quality can be expected when it comes to lenses or cameras. That said, the Helios 44-2 is at the top of my list of favorite vintage lenses. ‘Best’ not expressed in performance, sharpness, contrast or other technical aspects. But best and unsurpassed in charm and breathtaking Bokeh, bokeh…and bokeh.

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Perfection from the thirties: Zeiss Ikon Super Ikonta

Zeiss Super Ikonta C 531/2

Sometimes vintage cameras can perform something that has not (yet) been enabled digitally. That is the case for this brilliant Zeiss Ikon Super Ikonta C 531/2 from 1936. A vintage folder, but with superior image quality thanks to the super large 6×9 medium format. One of the very best pre-war cameras and still unrivaled today. And it’s pocket size!

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The East German Queen: Exakta Varex VX

Exakta Varex VX

She is graceful, but also bombastic, but that is part of the real lady. The Exakta Varex VX is glitter, the former East German bling bling camera from 1956. At the same time ingeniously built and with a real optical viewfinder. Jimmy Stewart used it in the classic “Rear Window” movie by Alfred Hitchcock and also the Invasion ’68 in Prague was legendary captured by it.

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Leica Summitar 2/50

They were considered the best lenses from the first half of the last century. The summarit, summarex, summar, summitar, elmarit, elmar …. unforgettable names for lenses that each guaranteed the impeccable quality of its makers Ernst Leitz and Max Berek. Today we review a summitar F2 / 50 mm that will look out of place on a modern digital camera, but with an adapter surpasses many modern lens in terms of sharpness and color rendering.

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Leica III is a feeling

There is no other camera that is as fascinating and inspiring as the vintage Leica from the forties and fifties of the past century. Without this camera, photography would not have become what it is today. No wonder that this masterpiece by Ernst Leitz and Oscar Barnack is still the most beloved old-timer from the analogue era.

The Leica III, mod f, originally from 1934, modified and upgraded in 1954 to the ‘f’ (flash syn). Photo: Albert Kampermann
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