Analog photography revisited in the digital age
In 1999, Japan’s Cosina decided to re-market the film camera or better re-brand the purchased Voigtländer name. In a time of emerging digital cameras a risky strategy. Yet in a short time Cosina managed to attract a loyal fan base and for seven years (!) one classic film camera after another appeared. It all started with the success of the simple Bessa-L.
Continue reading “Voigtländer Bessa-L: the resurrection of film”
At first glance, a strange camera. A long protruding plunger and a barn door. That’s the first thing to notice, so not Voigtlander. But it’s not until you understand the reasons that you notice the craftsmanship and sense of design with which this 35mm rangefinder camera was made.
Continue reading “Voigtlanders victorious Vitessa”
It’s certainly not the best camera, as far as such a thing exists. But it is one of the very best and, in 2022, still one that can compete with the very greatest. The now “classic” Leica M, type 240, the first full-frame rangefinder with CMOS sensor. An addictive camera, very expensive, but an irresistible must have.
Continue reading “Upper class vintage: Leica M (240)”
Very occasionally you come across a camera that won’t let you go. From whichever way you look at the Japanese Koni(ca) Rapid Omega, it intrigues and invites you to work and play with it and enjoy its extremely solid and cleverness design. You’ll have however to exercise your arm muscles, because the medium format beast weighs nearly 2 kg.
Continue reading “Beauty & the beast: Koni Rapid Omega 100”
Mass production of 35mm cameras really took a huge leap in the 1950s. The War was over, reconstruction, growing optimism in a better world led to great economic progress. Vacations became possible, with the whole family in tents or caravans and capture precious memories with affordable cameras. These were the prime years of photography, for everyone. This demand asked for numerous brands and models. In addition to the Agfa film roll, the German company also managed to deliver quality in its own cameras, the Silette being one of the most popular.
Continue reading “Design for the masses: Agfa Silette L”
Not everyone wants or benefits from an advanced camera. And for a lot of people, a camera is an expensive and luxurious product, especially in the middle of the last century. The well-known manufacturers Zeiss Ikon and Voigtlander had found something for that: a camera for beginners, without bells and whistles. A square box with a lens.
Continue reading “The Out of the Box cameras”
A less known German brand is Apparate & Kamerabau that produced one of the most popular and affordable cameras during and after WWII: the AkArette. A sturdy little piece of typical craftsmanship made in a difficult time and beloved of its tiny dimensions.
Continue reading “Also known As AkArette”
Germany is considered too late in its responding to the rapid popularity of the Japanese SLR in the sixties. And the German SLR in general also did not become the long-awaited success; in fact, it became the downfall of the camera industry. Only Leica managed to survive thanks to the unequalled Rangefinder series. It’s a pity that the Leica SLR always has been overshadowed by its big M brother, because there is a lot to be said for Leica’s SLR, especially the legendary Leicaflex. It is now on the rise, finally after sixty years of oblivion.
Continue reading “Leica ‘s reflex to the East”
Vintage lenses are more popular than ever before. No wonder, with simple adapters, the gems of the past can be mounted on modern digital cameras. And the quality of those lenses really comes to life digitally. The beauty of it is that these vintage lenses cost a fraction of a modern, new lens while showing a similar quality. Do not expect autofocus or other electronic communication between lens and body, this is real manual photography. If you are looking for vintage lenses, you can’t avoid M42 threaded lenses and you will eventually among others, end up at Pentacon. A brand hidden behind the iron curtain in East Germany. Undeservedly so, because Pentacon has a lot to offer the discerning and creative photographer, including the 135 mm F2.8 lens, an underrated lens with enormous potential.
Continue reading “Pentacon 135mm F2.8, a gem from the cold war”
Zeiss Ikon has a special place in (German) camera history. The company was formed in 1926 by the ‘Great’ merger of the Contessa-Nettel, Goerz, Ernemann and ICA companies. In general, the products were superior to those of the competition, both in design and in quality. Market leader with the Super Ikontas as medium format rangefinder cameras. The most famous and popular is undoubtedly the 6×6 series “532/16” produced between 1937 and 1955. I am the proud owner of an excellent copy dating from 1938. An impression of its use 83 years after the first picture was taken with it.
Continue reading “Dreaming away with the Super Ikonta 6×6”