By the end of the sixties the final battle of the German cameras began. The competition with Japan was killing World’s leading camera manufacturer. Too complicated camera’s, too expensive, far too less innovative. And all that the Japanese cameras offered, producing high tech and cheaper cameras in many brands and designs. Zeiss Ikon and Voigtlander tried one last approach: to combine their strengths with the famous Icares series, the ultimate SLR for 135 film.
Continue reading “Icarex 35: the marriage of Zeiss-Ikon and Voigtlander”A world apart: Voigtlander Prominent
It was in 1952 the first range finder camera with leaf shutter and interchangeable lenses. The Prominent offered expert picture quality, and was much cheaper than its counterparts, the Leica and the Contax. The camera never became very popular, it just gave users not the same feeling. Maybe now is the time to change that wrongful idea. The Voigtlander is an astonishing but stubborn design which is reflected by its “all is different” approach.
Continue reading “A world apart: Voigtlander Prominent”Voigtlander: Better, Best, Bessa
A little art deco, as seen by the black glossy top with three view windows. Oversized buttons with artful black and white circles. A leather bellows held firmly in place by a cleverly engineered and sturdy cover plate. On the front, an advanced Compur Rapid shutter containing a bright Helomar lens. We are talking about the legendary 1938 Voigtlander Bessa RF Rangefinder. One of the best medium format cameras ever made.
Continue reading “Voigtlander: Better, Best, Bessa”German ambitions from Japan: Review Mamiya C3
Japan became the heir apparent to Germany in the 1970s in terms of innovation and quality of cameras. Not surprisingly, they spent decades learning and copying from the Germans. But production, innovation and quality could be cheaper and ultimately better in Japan. Mamiya has been one of the best students of the German class. The legendary C3 is a good example in this review.
Continue reading “German ambitions from Japan: Review Mamiya C3”Made in Sweden: Hasselblad 500 CM
Volvo, Saab, Ikea, ABBA and…Hasselblad. Sweden has exported famous brands. Quality and innovation. This certainly applies to the King of medium format cameras, the famous Hasselblad. What Leica is for 35mm, the Hasselblad is for 120 film. Expensive, but quality down to the last detail.
Continue reading “Made in Sweden: Hasselblad 500 CM”The ‘Flash Gordon’ camera: Voigtlander Perkeo 3×4
Imagine the world with smoking factory chimneys, black limousines, black bowler hats, white zeppelins. Back to the fantasy of Fritz Lang and the music video of Queen. A world where the Perkeo of Voigtlander saw light.
Continue reading “The ‘Flash Gordon’ camera: Voigtlander Perkeo 3×4”Reviving analog with Voigtlander Bessaflex
In 2003 Cosina Voigtlander began the daring adventure of reviving analogue photography with her brand new Bessaflex SLR camera. While the demand for digital cameras surpassed the supply, Hirofumi Kobayashi, CEO and fan of the great German camera, wanted to relive the rich past once more.
Continue reading “Reviving analog with Voigtlander Bessaflex”The Texas Leica: Fujica G690
Texas: Big, bigger, biggest. Leica: better, best. That’s the idea behind the Fujica G690 from 1969, a medium format camera for the huge 6×9 size. For ‘Leica’ quality, the superior Fujinon lens weighs in. Still it sounds crazy coming from a country where the 35mm SLR was becoming increasingly popular worldwide. Fortunately, Fujica has always remained a maverick.
Continue reading “The Texas Leica: Fujica G690”The tale of the three Leicas
No enthusiast camera collector will escape one or more Leicas sooner or later. Once I was a fierce opponent of Leicas, because of the absurd prices and the arrogance that radiated from the brand. But with my first Barnack, a 1934 Leica IIIa, it was love at first sight and it didn’t stop there. In the meantime I own two more cameras which this story is about and show why my Leica heart has grown even bigger.
Continue reading “The tale of the three Leicas”Compact medium format: Ikonta and Perkeo
The rediscovery and appreciation of medium format is steadily increasing. But not everyone wants to pay a fortune for a Hasselblad or Leica and is looking for cheaper alternatives such as a Bronica or Kiev. But there are much smaller options at Zeiss Ikon and Voigtlander. Imagine, top quality and compact in medium format.
Continue reading “Compact medium format: Ikonta and Perkeo”