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Analog photography revisited in the digital age
From a price point of view there is a world of difference between a Swedish Hasselblad and a Russian Kiev. Both are medium format cameras and are hardly different from the outside. That’s why the Kiev is mockingly called the ‘Hasselbladski’. But our test shows that the Kiev should not be underestimated.
Continue reading “Hasselblad or Kiev – close encounters of the medium format”
Owners call it the Hasselbladsky, the Russian clone of the famous 1600F. We write the end of the 1950s when the Salyut C sess the light of day in the Kiev factories. With confidence the medium sized camera exports to the West, but soon it turns out to be a love-hate relationship. Although the camera is budget friendly priced, it also seems to be a matter of luck to get one that is actually working.
Continue reading “Kiev 80: From Russia with love”